Baritone Constantinos Yiannoudes maintains an active performance schedule with an extensive repertoire in both opera and concert. As a leading baritone, the versatile performer has performed 24 roles including the title roles of Rigoletto, Macbeth, Don Giovanni and Il Barbiere di Siviglia, as well as Il Conte di Luna in Il Trovatore, Escamillo in Carmen, Ford in Falstaff, Germont in La Traviata, Iago in Otello, Michele in Il Tabarro and Scarpia in Tosca. He has performed in concert at Carnegie Hall, Avery Fisher Hall and Alice Tully Hall in NYC.

Past seasons have found him at San Francisco Opera, Sarasota Opera, Lyric Opera of San Antonio, Eugene Opera, Nevada Opera, Syracuse Opera, TaconicOpera, Mississippi Opera, Mobile Opera, Opera San José, New York Grand Opera and many others.

In concert, he has most recently performed Fauré's Requiem, John Rutter's Mass of the Children and the world premiere of Stephen Walters' Requiem at Carnegie Hall, and multiple engagements with the Eugene Concert Chorale including Puccini's Messa di Gloria, Mendelssohn's Die erste Walpurgisnacht and Brahm's Requiem .

Equally at home in contemporary works, Mr. Yiannoudes has performed Kurt Weill's Mahagonny-Songspeil, Virgil Thomson's Four Saints in Three Acts, Menotti's Amahl and the Night Visitors, Drosselmeir in Craig Bohmler's world premiere of The Tale of the Nutcracker, and the baritone in Roger Trefousse's world premiere of Found Objects. He also performed the role of Marius in the New York premiere of Robert Starer's Apollonia and Olivarez in the U.S. premiere of Niccolo Van Westerhout's Dona Flor.